So we're still waiting for the ability to bring a ProRes Raw file right into Resolve. In terms of NLE there are compelling arguments for all the four major platforms, but in terms of raw color grading power for the price, Resolve blows the other 4 NLEs out of the water. Many filmmakers would love to shoot ProRes Raw and edit, or at least color, in Resolve. braw files, though it's an open format and other cameras and recorders might add it in the future), you are likely to want to cut in Resolve so there is no need to support it in FC-X, the reverse isn't true. While there is some argument to be made that if you are a Blackmagic Camera owner (currently the only folks who can shoot. The biggest missing piece here, of course, is that you still can't cut Blackmagic Raw natively in Final Cut X, and you can't cut ProRes Raw in Resolve. Make no mistake: this is a huge win for users of either format, who are now free to capture to the format that they feel gives them the best results regardless of what editing platform they are working with. Blackmagic Raw, previously only supported by Blackmagic DaVinci Resolve, will now be supported in Media Composer and Premiere via a plug-in. ProRes Raw, previously only supported by Final Cut X, will now be available natively in Premiere and Media Composer. This week fans of raw video who want to work with "open" formats (not locked down to a single camera manufacturer) got great news. ![]() ![]() The two competing "open" raw video formats are now supported by all the major players.
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